We were asked to produce a notated storyboard of 12 frames depicting a scene from the script Carcass to get a feel for what is needed in a professional art department.
This is my first attempt:-
A few things that I have learnt from Carcass and the storyboarding workshop:-
Pictures are not enough. There’s a vast amount of coding, notes and information that needs to be added to help the filmmakers do their job. The images need to convey information to the camera people, art director, props, lighting as well as director etc. So each department needs a certain kind of visual. This information needs to be placed at the side of the numbered image/frame so that everyone knows in what order each frame is to be filmed and exactly how it will look to the audience.
One of the good things about storyboarding for me is they are usually hand-drawn which uses my current skills. My usual style has to now be adapted to a more sketchy approach which is much quicker and allows for whole scenes to be drawn out in an hour or two rather than a day. This is something that I need to practice once I have a firm idea of what is required notation wise.